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RED
PLANET
Val
Kilmer
Carrie-Anne Moss
Following
the recent Hollywood tradition of two identically themed movies
battling it out at the box office, this is the second trip
to Mars at your local multiplex this year. While superior
to Brian De Palma's disastrous Mission to Mars, this effort
still falls well short of the standard needed for success.
In
the year 2050 the population has poisoned the Earth's atmosphere
to such an extent that the colonisation of Mars seems the
only viable option to save mankind. An advance party, led
by a tubby looking Val Kilmer, journeys to the planet to see
whether terraforming experiments have been successful, but
end up with more than they bargained for when their spaceship
crashes and their robot companion decides to go a little crazy.
Meanwhile, back in orbit Carrie Ann Moss races against time
to get them back to the mothership.
This
is Hollywood special effects driven nonsense at it's worst.
While the majority of the effects and scenery are undeniably
impressive, the film shows a complete lack of emotion towards
its stereotyped characters, leaving us not really caring if
they live or die. Whilst in the early stages the film does
try to deal with issues such as faith versus science, these
attempts are purely superficial and are soon forgotten in
favour of a series of lame action sequences that completely
fail to build up the required suspense.
It
feels as if the writers and director have tried to cram in
as many ideas and sci-fi clichés as possible, leaving insufficient
space to explore any one element or character in depth. There
is a constant recycling of ideas and themes from films such
as Aliens and The Terminator, but with none of the style or
originality that made these films classics. When the most
entertaining aspect of the film was the fire alarm in the
middle, you know you are in trouble. Perhaps with the requisite
quantities of mind-altering substances the visuals could produce
an enjoyable experience, but otherwise this is one to avoid.
Visit
the official website at here
4/10
Jon Fathing and Anne Wiseman
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